My practice revolves around themes such as the interconnectedness of life, ecology and impermanence and I often explore these topics through the materiality of the human body and the Earth. I see the body as a vessel for a primal creative force and a portal for a deeper existential understanding and alignment. For me, making photographs is a corporeal process through which I seek to build reciprocity and reinforce my connection with the Earth and the non-
human realm.

As water is a very present element in Iceland, during my residency period at SIM Residency and
Ljósmyndaskolinn darkroom in Reykjavik I focused on developing an on-going project called
‘boundless’ which explores water as a connecting and life-giving element. By perceiving water as
a dissolving agent, capable of transforming and transcending boundaries while being integral to
our bodies, the work proposes embracing a planetary perspective and dismantling the illusion of
separateness. The project delves into the body, as well as the photographic process as a
transitional form, a space of becoming.

While working in the darkroom I focused on producing silver gelatine prints and making
experiments with alternative techniques such as solarization to emphasize the visual language of
the images. At the end of the residency I had the opportunity to hold a short exhibition of the
work at SIM Gallery in downtown Reykjavik. In the fluid process of cross-pollination, the
installation drew influences from fellow artists at the residency, with crochet pieces symbolizing
existential entanglement and the perpetual process of becoming-with.